gregorian chant as a compositional element
... certainly somewhat radical when put in a time frame, there is still a distincly chant-like modal quality to it especially when each part is taken individually. I find it so interesting that from the very beginning of Western art musical for a period of some 1300+ years, chant or modal based melody w ...
... certainly somewhat radical when put in a time frame, there is still a distincly chant-like modal quality to it especially when each part is taken individually. I find it so interesting that from the very beginning of Western art musical for a period of some 1300+ years, chant or modal based melody w ...
Music of the Middle Ages – Chant after 1000 AD
... While the rhythmic modes of the Middle Ages differed greatly from our own modern day notation, this form of scoring lasted well into the late Middle Ages. By about the mid 13th century, six distinctive rhythmic modes were incorporated into treatises and chant compositions. These modes corresponded m ...
... While the rhythmic modes of the Middle Ages differed greatly from our own modern day notation, this form of scoring lasted well into the late Middle Ages. By about the mid 13th century, six distinctive rhythmic modes were incorporated into treatises and chant compositions. These modes corresponded m ...
![Compositional trajectories [Medieval music]](http://s1.studyres.com/store/data/012781418_1-1acbf3c6fa6c77e5d5672bca000c933b-300x300.png)
Compositional trajectories [Medieval music]
... melodies lying above the final and those lying around the final as authentic and plagal, respectively). In their early tonaries, which were books listing chants by musical characteristics, the Franks then went another step, further subdividing chant groups by a third powerful marker, the initial mel ...
... melodies lying above the final and those lying around the final as authentic and plagal, respectively). In their early tonaries, which were books listing chants by musical characteristics, the Franks then went another step, further subdividing chant groups by a third powerful marker, the initial mel ...
Similarities between Hindustani music and the Western music
... the lowest note of the hexachord is always given the name ‘Ut’. This means that there is always a semitone between Mi and Fa and tones between all Medieval music had a similar system, known as other intervals within the hexachord. It was this fact ‘solmization’. It had just six pitch names: Ut, Re, ...
... the lowest note of the hexachord is always given the name ‘Ut’. This means that there is always a semitone between Mi and Fa and tones between all Medieval music had a similar system, known as other intervals within the hexachord. It was this fact ‘solmization’. It had just six pitch names: Ut, Re, ...
5 Erik Satie
... Surprising as the parallel may seem, there has been wide discussion in print of a supposed relationship between Satie’s music and Gregorian chant or plainsong. In one study a Gregorian influence is seem primarily in the prosody of the vocal works, since it traces his modal harmonies to Gregorian. (A ...
... Surprising as the parallel may seem, there has been wide discussion in print of a supposed relationship between Satie’s music and Gregorian chant or plainsong. In one study a Gregorian influence is seem primarily in the prosody of the vocal works, since it traces his modal harmonies to Gregorian. (A ...
Music and the Church: Plainchant
... Music and the Church The Church held a central position in all areas of life The single greatest preserver of western civilization in the Middle Ages Patron of the arts: music, art, architecture, ...
... Music and the Church The Church held a central position in all areas of life The single greatest preserver of western civilization in the Middle Ages Patron of the arts: music, art, architecture, ...
Plainchant
... Music and the Church The Church held a central position in all areas of life The single greatest preserver of western civilization in the Middle Ages Patron of the arts: music, art, architecture, ...
... Music and the Church The Church held a central position in all areas of life The single greatest preserver of western civilization in the Middle Ages Patron of the arts: music, art, architecture, ...
II. THE MIDDLE AGES II-1. MUSIC IN THE MIDDLE AGES (450
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text (since many college students today have difficulty reading English, we should be patient when confronting them with anoth ...
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text (since many college students today have difficulty reading English, we should be patient when confronting them with anoth ...
Full file at http://emailtestbank.com/ Solution-Manual-for-Music
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
FREE Sample Here
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
II. THE MIDDLE AGES II-1. MUSIC IN THE MIDDLE AGES (450
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
11( 31 11 ( 11( 31 11 ( 31 11 31
... Most Greek Orthodox church musicians have seen references to “tones” and “modes” in liturgical texts and choir music. But many ask the question, “What are they?” How do you recognize one tone from another? What exactly is a mode? Are modes and tones the same thing? Why do chanters use those squiggly ...
... Most Greek Orthodox church musicians have seen references to “tones” and “modes” in liturgical texts and choir music. But many ask the question, “What are they?” How do you recognize one tone from another? What exactly is a mode? Are modes and tones the same thing? Why do chanters use those squiggly ...
Antiquity and the Middle Ages
... mathematical basis for the ratios of harmony, that these harmonic relationships resonated throughout the universe, and that the study of music was a separate discipline from its performance. ...
... mathematical basis for the ratios of harmony, that these harmonic relationships resonated throughout the universe, and that the study of music was a separate discipline from its performance. ...
Chapter 12 Review
... The only type of music we know much about is the sacred music for the Church, which was written down and preserved in monasteries. At first only marks, called neumes, indicated the direction of the sounds. But later (around the year 1000) a system of square notes on a four-line staff was created and ...
... The only type of music we know much about is the sacred music for the Church, which was written down and preserved in monasteries. At first only marks, called neumes, indicated the direction of the sounds. But later (around the year 1000) a system of square notes on a four-line staff was created and ...
Early Polyphony - Scott Foglesong
... Florid (Melismatic) Organum • Probably somewhat later style than parallel • Melisma: passages with many notes set to a single syllable of text. Plural melismata; adjective melismatic. ...
... Florid (Melismatic) Organum • Probably somewhat later style than parallel • Melisma: passages with many notes set to a single syllable of text. Plural melismata; adjective melismatic. ...
Beginning to Learn the Byzantine Musical System Using Western
... counterparts and may differ slightly in their tonic and dominant tones as well as their melodic formulas. Melodic Formulas. Byzantine chant has a lexicon of melodic formulas for every mode in the system. The collection is so vast, it can only be commented upon here, but its importance is enormous. T ...
... counterparts and may differ slightly in their tonic and dominant tones as well as their melodic formulas. Melodic Formulas. Byzantine chant has a lexicon of melodic formulas for every mode in the system. The collection is so vast, it can only be commented upon here, but its importance is enormous. T ...
View content and liner notes,
... the wishes of the Church, expressed by the Council of Trent—to remove any elements common with secular music and to return music to its position as secondary to the scriptural words. By so doing, Palestrina gives us vocal polyphony in six parts which retains the purity, objectivity, and tranquil be ...
... the wishes of the Church, expressed by the Council of Trent—to remove any elements common with secular music and to return music to its position as secondary to the scriptural words. By so doing, Palestrina gives us vocal polyphony in six parts which retains the purity, objectivity, and tranquil be ...
notes - Blue Heron Renaissance Choir
... do so Ockeghem, like Perotin, uses means both melodic and rhythmic (pitch and duration, the basic elements of music). His counterpoint spins out long melodies whose relationship to one another is not obvious—there are few unanimous cadences and few immediately noticeable points of imitation, althoug ...
... do so Ockeghem, like Perotin, uses means both melodic and rhythmic (pitch and duration, the basic elements of music). His counterpoint spins out long melodies whose relationship to one another is not obvious—there are few unanimous cadences and few immediately noticeable points of imitation, althoug ...
Abstracts
... linguist, folklore scholar, doctor, professor of Finnish language and literature, and the author of the literary version of Kalevala. A detailed description of Lönnrot’s musical career, in parti cular his endeavor to collect and systematize folk melodies, is complemented by the analysis of unpublis ...
... linguist, folklore scholar, doctor, professor of Finnish language and literature, and the author of the literary version of Kalevala. A detailed description of Lönnrot’s musical career, in parti cular his endeavor to collect and systematize folk melodies, is complemented by the analysis of unpublis ...
Week 7 Lecture Notes p.1
... Troubadours brought back Middle Eastern Influence from the Crusades. Persian santur influenced string instruments (zither and other chordophones) in the West. Modern Chinese orchestra modes ...
... Troubadours brought back Middle Eastern Influence from the Crusades. Persian santur influenced string instruments (zither and other chordophones) in the West. Modern Chinese orchestra modes ...
General Music Notes – Music History Unit – part 1 (Medieval
... Ornamentation – The addition of decorations, or embellishments, to the basic structure of the work. Basso continuo – the bass line and continuous harmony in Baroque music, usually performed by cello and harpsichord Concerto – a composition for orchestra and one or more solo instruments Gigue ...
... Ornamentation – The addition of decorations, or embellishments, to the basic structure of the work. Basso continuo – the bass line and continuous harmony in Baroque music, usually performed by cello and harpsichord Concerto – a composition for orchestra and one or more solo instruments Gigue ...
Medieval - Town of Mansfield, CT
... When music has more than one note at a time, but the words and phrases begin and end at the same time, it is called ___________________. The adjective form is ____________________. Most recorded medieval music was_____________, not______________, due to the strong influence of the church. Define eac ...
... When music has more than one note at a time, but the words and phrases begin and end at the same time, it is called ___________________. The adjective form is ____________________. Most recorded medieval music was_____________, not______________, due to the strong influence of the church. Define eac ...