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The Ethical Significance of the Aesthetic Experience of Non
The Ethical Significance of the Aesthetic Experience of Non

... response-dependent, meaning “they are dispositions to promote impressions or effects on appropriately backgrounded creatures with our perceptual and imaginative capabilities8.” These impressions or responses induced by form and other aesthetic properties can include those responses that are cogniti ...
Aesthetics as Philosophy of Experience
Aesthetics as Philosophy of Experience

PowerPoint Slides - Academic Csuohio
PowerPoint Slides - Academic Csuohio

... Viewers who want to keep fright reactions to a minimum might continue to remind themselves that the actions are only mediated. Viewers who watch for informational purposes tend to pay more attention to the program and thus may become more aroused. ...
OB-09 Emotions & Values
OB-09 Emotions & Values

... Emotional Intelligence • Managers with a high level of emotional intelligence are more likely to understand how they are feeling and why • More able to effectively manage their feelings so that they do not get in the way of effective decision-making ...
NA - st1philosophy
NA - st1philosophy

... combination of two quantities.  “the golden ratio is achieved if the ratio of the sum of the quantities to the larger quantity is equal to the ratio of the larger quantity to the smaller one”, Wikipedia  Many of Chopin’s pieces, predominantly Etudes (studies) and Nocturnes, are based on the golden ...
1

Art and emotion

In psychology of art, the relationship between art and emotion has newly been the subject of extensive study. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences are more complex and able to be studied experimentally. Emotional responses are often regarded as the keystone to experiencing art, and the creation of an emotional experience has been argued as the purpose of artistic expression. Research has shown that the neurological underpinnings of perceiving art differ from those used in standard object recognition. Instead, brain regions involved in the experience of emotion and goal setting show activation when viewing art.
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