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MUH 2011 Chapter 12 slides (7e)
MUH 2011 Chapter 12 slides (7e)

... Radames, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Radames is loved by the Pharaoh's daughter Amneris, although he does not return her feelings. – La Forza del Destino • An opera that can leave even diehard Verdi lovers shaking thei ...
Bridge Records releases rare masterpiece Die
Bridge Records releases rare masterpiece Die

... generosity of Thurmond Smithgall and the Lanie & Ethel Foundation, is LA Opera's first audio-only recording. It is the third release of performances from LA Opera's Recovered Voices series, following a DVD of Braunfel's The Birds and a DVD featuring a double-bill of Ullmann's The Broken Jug with Zem ...
Top Ten Musicians Before 1840
Top Ten Musicians Before 1840

... opera that remained in favor until the mid20th century. Lortzing’s parents were actors, and he was largely self-taught as a musician. His most successful opera was Zar (originally Czaar) und Zimmermann (1837; “Tsar and Carpenter”), based on an episode from the life of Peter the Great. Other operas i ...
Accompaniment An instrumental or vocal part designed to support or
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... Libretto [li-bret-oh] “Little book” in Italian. The text of an opera. The libretto is always shorter than a normal play because it takes so much longer to sing a line that to say it. The action is often interrupted for an aria which limits the length of the text even more. Librettist [li-bret-ist] T ...
Gioacchino Rossini 1792-1868
Gioacchino Rossini 1792-1868

... E. Mother fled with the child and began singing lead roles in operas F. Rossini was poorly trained by Prinetti, but later studied with Angelo Tesei G. Later, Rossini enrolled in the Bologna Conservatorio when he learned cello and studied under Mattei H. Started in Venice, and quickly had operas prod ...
Gioacchino Rossini 1792-1868
Gioacchino Rossini 1792-1868

... Gioacchino Rossini 1792-1868 I. Background A. Rossini is the leading opera composer of the first half of the 19th century. B. He is proceeded by the Opera Comique composers Cherubini (much admired by Beethoven) and Mehul (who pioneered the “reminiscence” motive which was later adopted by Weber), Spo ...
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Daron Aric Hagen has written works of an extremely broad stylistic
Daron Aric Hagen has written works of an extremely broad stylistic

... the recordings of his operas, served as artistic director (Seasons Music Festival), and as chair of composition studies (Wintergreen Summer Music Academy) for music festivals, served on academic faculties (Bard College, the Curtis Institute, Princeton Atelier). He has served as president of the Lott ...
Auckland Opera Forum 2015 Programme 7.30pm, The Raye Freedman
Auckland Opera Forum 2015 Programme 7.30pm, The Raye Freedman

... treatment of a classic American tale. One of the stars is our own Jonathan Lemalu. 7. Salome ...
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... Italian entry was the opera buffa Prima la musica, poi le parole (First the Music, then the Words), by Antonio Salieri. There are only four vocal numbers in the score, and the musical content (about 30 minutes, including the overture) is surrounded by much spoken dialogue which was topical in its da ...
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Oh Mio Babbino Caro Opera: Gianni Schicchi Composer: Giocomo

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Opera and Beyond - Petal School District
Opera and Beyond - Petal School District

... Mimi, dies of consumption, or TB. This disease was commonly associated with the bohemian lifestyle in nineteenth-century art. Mimi’s death is a powerful metaphor for the overwhelming value of love in life. Death reminds us that life is short, that youth is brief, and that love is the most important ...
Music History IV: Dr
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... 22. What does Viva VERDI mean? 23. Know the basic facts of Wagner’s life, including his family background, where he was born, his first and second marriage, his patrons, his political activity, the basic periods into which his creative life can be divided, important operas from each period, his cond ...
Jean-Philippe Rameau
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... • Born in Halle, Germany, went to Hamburg to study music, played in opera under Reinhard Keiser (1674–1739) • At 21, went to Italy to develop his skills • Returned to Germany in 1710 as music director at the Elector’s court in Hanover • 1710–1711 season in London — Italian operas brought great succe ...
PROGRAM NOTES Carl Maria von Weber Overture to Der Freischütz
PROGRAM NOTES Carl Maria von Weber Overture to Der Freischütz

... death.) He immediately showed great promise—he studied composition with Michael Haydn (Joseph’s brother) and wrote his first opera at the age of fourteen. Like Mozart, he excelled both as a composer and as a performer—he was one of the most brilliant pianists of his day and a fine conductor. But he ...
PROGRAM NOTES Carl Maria von Weber Overture to Der Freischütz
PROGRAM NOTES Carl Maria von Weber Overture to Der Freischütz

... death.) He immediately showed great promise—he studied composition with Michael Haydn (Joseph’s brother) and wrote his first opera at the age of fourteen. Like Mozart, he excelled both as a composer and as a performer—he was one of the most brilliant pianists of his day and a fine conductor. But he ...
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Chapter 49. The Early Music of Beethoven
Chapter 49. The Early Music of Beethoven

... 1898 rises to the position of conductor of the Berlin court opera 1898 appointed Music Director in Berlin 1905 opera Salome completed 1908 settles in GarmischPartenkirchen between opera performances 1919 conducts at the Vienna opera 1945 moves to Switzerland following World War I 1949 dies in Garmis ...
WEBER Overture to Der Freischütz
WEBER Overture to Der Freischütz

... Der Freischütz (usually translated as The Marksman) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene (the finale of Act 2) has been described as "the most expres ...
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... the face of opera, and made it more like the form we know today.  With Orfeo et Eurydice, staged in 1762 in Vienna, he revolutionised the form, emphasising the drama of the piece and cutting the excess.  It was a great success, and Gluck composed other operas that stuck to the same focus, influenc ...
Opera - WordPress.com
Opera - WordPress.com

... takes place in the first half of the eighteenth century. There were many disputes in Zbigniew’s and Stefan’s family. It happens in Poland in typical Polish family from the eighteenth century. It was a patriotic performance because Stanisław Moniuszko lived when Poland was not present on the map of E ...
Opera
Opera

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Tawawa House - Townsend Opera
Tawawa House - Townsend Opera

... on  the  Underground  Railroad  in  the  decade  before  the  Civil  War  before  becoming  one  of  the  first   African-­‐American  colleges  in  the  country.    The  opera  offers  a  glimpse  into  the  lives  of  people  who   ...
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Opera in German



Opera in German is the opera of the German-speaking countries. These include Germany, Austria, and the German states that preceded those countries.German-language opera appeared remarkably quickly after the birth of opera itself in Italy. The first Italian opera was Jacopo Peri's Dafne of 1598. In 1627, Heinrich Schütz provided the music for a German translation of the same libretto. Yet during much of the 17th and 18th centuries German-language opera would struggle to emerge from the shadow of its Italian-language rival, with leading German-born composers such as Handel and Gluck opting to work in foreign traditions such as opera seria.Some Baroque composers, such as Reinhard Keiser, did try to challenge Italian dominance, and the theatre principal Abel Seyler became an eager promoter of German opera in the 1770s, but it was only with the appearance of Mozart that a lasting tradition of serious German-language opera was established. Mozart took the simple, popular genre of Singspiel and turned it into something far more sophisticated. Beethoven followed his example with the idealistic Fidelio; and with Der Freischütz of 1821, Weber established a uniquely German form of opera under the influence of Romanticism. Weber's innovations were eclipsed by those of Richard Wagner, one of the most revolutionary and controversial figures in musical history. Wagner strove to achieve his ideal of opera as ""music drama"", eliminating all distinction between aria and recitative, employing a complex web of leitmotifs and vastly increasing the power and richness of the orchestra. Wagner also drew on Germanic mythology in his huge operatic cycle Der Ring des Nibelungen.After Wagner, opera could never be the same again, so great was his influence. The most successful of his followers was Richard Strauss. Opera flourished in German-speaking lands in the early 20th century in the hands of figures such as Hindemith, Busoni and Kurt Weill until Adolf Hitler's seizure of power forced many composers into silence or exile. After World War II young opera writers were inspired by the example of Schoenberg and Berg who had pioneered modernist techniques such as atonality and serialism in the earlier decades of the century. Composers at work in the field of opera today include Hans Werner Henze.As the names of Mozart, Weber, Wagner, Richard Strauss and Berg indicate, Germany and Austria have one of the strongest operatic traditions in European culture. This is also evidenced by the large number of opera houses, particularly in Germany where almost every major city has its own theatre for staging such works, as well as internationally renowned operatic events such as the Salzburg Music Festival.
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