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 examples by going through the writings of the theologians.. under these influences, I think, that the Pythagoreans,
and Plato after them, called the Cosmos a cave or grotto. For in Empedocles the powers that guide souls say:
‘We have arrived here in this covered cave’.” (Layard quoted by Neumann) on the connection between the
labyrinth and initiation: “According to Layard the main archetypal traits of the labyrinth are as follows:
1. That it has to do with death and rebirth relating either to a life after death or to the mysteries of initiation.
2. That it is almost always connected with a cave (or more rarely a constructed building).
3. That in those cases where the ritual has been preserved the labyrinth itself, or a drawing of it, is invariably
situated at the entrance to the cave or dwelling.
4. That the presiding personage, either mythical or actual, is always a woman.
5. That the labyrinth itself is walked through, or the labyrinth design, walked over by men.”
“This group of archetypal symbols is completed by ‘the moon’. Layard tells us that this ritual figure consists of two
moons turned toward one another like the lips of a mouth and is identical with the figure of ‘the way’, which the
devouring female draws as a test for the dead man. In other words, the terrible gullet of death or the devouring
womb that he must pass through consists of two crescent moons that are everywhere connected with the great
dark Goddess of the night..
“The fact that in Malekula the female dolmens belong to the old matriarchal stratum of cult and ritual . . confirms
the ubiquity of the archetypal symbolism.
“The underworld, like the unconscious, is always ‘symbolically feminine as the vessel that sucks in’.. the Devil like Mephisto in Goethe’s ‘Faust’ - stands in a sonlike dependency to the ‘Devil’s grandmother’, whose matriarchal
shape is still barely visible in the background.” note: see Renaissance: The Mothers. (G.N. Russell) on the secrets
of the Labyrinth: “Following these clues we read of initiates to the Eleusinian Mysteries walking through our
labyrinth. . In the Indian, Persian Mysteries etc. we read that initiates were led through seven interconnected
channels, caves or rooms .. and looking of our labyrinth we see that it embraces seven concentric circles all
interlinked. . “(Dr. Esther Harding) “The Moon Goddess was attended primarily by priestesses; but she also had
priests attached to her temple. Like the priestesses they also took upon themselves vows which were not required
of the ordinary man, nor even of the initiate who was not a priest. The ordinary man resorted to the temple of the
goddess to take part in the hieros gamos (i.e. holy marriage) perhaps once in his life, at his initiation.” (Cumont)
“All the Oriental religions assumed the form of mysteries.. In their initiation they (i.e. the dignitaries) receive the
revelation of an esoteric doctrine strengthened by their fervour. What was the Theology they learned?.. All writers
agree with Firmicus that the pagans worshipped the elementa. Under this term were included not only the four
simple substances which by their opposition and blending caused all phenomena of the visible world, but also the
stars and in general the elements of all celestial and earthly bodies.
“We therefore may in a certain sense speak of the return of paganism to nature worship; but must this
transformation be regarded as a retrogression towards a barbarous past..? If so, we should be deceived by
appearances. Religions do not fall back into infancy as they grow old..”
THE CELTIC COUNTRIES
Celtic, General (Mme. Blavatsky) “The Druidical Circles, the Dolmens, are all the work of initiated Priest
Architects.” (Dr. Esther Harding) “The Grail is a mysterious symbol. . The chalice containing blood is the . .
cauldron of the Celtic moon goddess. To drink from that vessel bestows regeneration, renewal, perhaps
immortality. As stone, the Grail is obviously a symbol for the Moon Mother herself, who, in many ancient religions
. . was worshipped under the form of a stone or cone. As food-bearing dish, the Grail is the symbol of the
Goddess of Agriculture and of Plenty. In the Celtic version, the Fisher King, guardian of the Grail, suffers
perpetual sickness, being neither dead nor alive, but suspended in a half state between life and death; until the
mystery of the Grail should be revealed to a mortal man.. Then the Fisher King will be restored to life and the
Wastelands will be fertile once more.
“Such is the legend of the Grail and as Jessie Weston points out it is clearly the story of an initiation. The ordeal
always requires that the hero shall ask a certain question: namely ‘What do these things mean and whom do they
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