PITCH AND PITCH CLASS - Mr. Deininger`s Page
... Half Steps - smallest possible interval in western music; notes right next to each other Example: C to C#; Bb to A Whole Step - two half steps Example: C to D; G to F QUICK ASSIGNMENT: Try it #3 - page 7 ...
... Half Steps - smallest possible interval in western music; notes right next to each other Example: C to C#; Bb to A Whole Step - two half steps Example: C to D; G to F QUICK ASSIGNMENT: Try it #3 - page 7 ...
Intervals and Pitch - The Sound of Numbers
... 3. The frequency that is three ifths below the frequency two octaves above 900 Hz is found by setting n = 2 and m = −3, so the answer is 22 (3/2)−3 900 = (4)(2/3)3 900 = 1066 32 Hz. 4. The frequency that is down one octave from 900 Hz then up two ifths from that is found by setting n = −1 and m = 2, ...
... 3. The frequency that is three ifths below the frequency two octaves above 900 Hz is found by setting n = 2 and m = −3, so the answer is 22 (3/2)−3 900 = (4)(2/3)3 900 = 1066 32 Hz. 4. The frequency that is down one octave from 900 Hz then up two ifths from that is found by setting n = −1 and m = 2, ...
Using Whole Tone Scales in Improvisation
... It is well known that whole tone scales can be successfully used over dominant seventh chords, especially those which have been altered by raising the fifth. Augmented chords, too, can support whole tone lines by simply adding whole step passing tones. In contrast, this note investigates the use of ...
... It is well known that whole tone scales can be successfully used over dominant seventh chords, especially those which have been altered by raising the fifth. Augmented chords, too, can support whole tone lines by simply adding whole step passing tones. In contrast, this note investigates the use of ...
Real-time Melodic Accompaniment System for Indian Music Using
... is done. The average energy content of the musical piece is calculated from the tuning data with 0.55 of this value is taken as threshold on short-time energy to separate between the silence and non silence regions. Voice signals have a rich harmonic structure spanning the frequency range 80 Hz to 5 ...
... is done. The average energy content of the musical piece is calculated from the tuning data with 0.55 of this value is taken as threshold on short-time energy to separate between the silence and non silence regions. Voice signals have a rich harmonic structure spanning the frequency range 80 Hz to 5 ...
Pitch identification device
... musician of the burden of operating a switch to preset 65 dow detector 36. Window detector 36 can be a National the device to a desired pitch. Semiconductor LM319 voltage comparator circuit. Yet another object of the present invention is to pro Window detector 36 receives the output of gain con vide ...
... musician of the burden of operating a switch to preset 65 dow detector 36. Window detector 36 can be a National the device to a desired pitch. Semiconductor LM319 voltage comparator circuit. Yet another object of the present invention is to pro Window detector 36 receives the output of gain con vide ...
Composing with Numbers: Arnold Schoenberg and His Twelve
... Same original or prime tone row used for basis of entire piece. In the Trio, only the six rows P-0, P-6, I-0, I-6, R-6 and RI-6 are used. The tritone interval (six half-steps) is emphasized since only n = 0 or n = 6 is utilized. The primary row begins on an E and ends on a B[, which is also a triton ...
... Same original or prime tone row used for basis of entire piece. In the Trio, only the six rows P-0, P-6, I-0, I-6, R-6 and RI-6 are used. The tritone interval (six half-steps) is emphasized since only n = 0 or n = 6 is utilized. The primary row begins on an E and ends on a B[, which is also a triton ...
1. Title: Pitch Synchrony in Live with Regis and
... Does this example prove that rhythmic synchrony exits? Certainly not. But it does show that Regis and Kathie Lee’s choices of speech pitch are uncannily related. Interestingly, the relationship of these pitches mirrors the harmonic principles of the Western music tradition and the naturally occurrin ...
... Does this example prove that rhythmic synchrony exits? Certainly not. But it does show that Regis and Kathie Lee’s choices of speech pitch are uncannily related. Interestingly, the relationship of these pitches mirrors the harmonic principles of the Western music tradition and the naturally occurrin ...
The History and Evolution of the Musical Symbol
... pitch. The scale most used in Western musical composition until the end of the 19th cent. was the diatonic scale, a series of seven tones. (The addition of a final top note, with a frequency twice that of the lowest note, defines this sequence as an octave.) The intervals of the diatonic scale were ...
... pitch. The scale most used in Western musical composition until the end of the 19th cent. was the diatonic scale, a series of seven tones. (The addition of a final top note, with a frequency twice that of the lowest note, defines this sequence as an octave.) The intervals of the diatonic scale were ...
Dynamics, Articulations, Slurs, Tempo Markings
... Articulations specify how notes should be performed, either in terms of duration or stress. Staccatissimo means extremely shortened duration. Staccato means shortened duration. Tenuto has two functions: it can mean full duration OR a slight stress or emphasis. Accent means stressed or emphasized (mo ...
... Articulations specify how notes should be performed, either in terms of duration or stress. Staccatissimo means extremely shortened duration. Staccato means shortened duration. Tenuto has two functions: it can mean full duration OR a slight stress or emphasis. Accent means stressed or emphasized (mo ...
2015 Chorus Midterm Review Sheet
... accidentals – sharps, double sharps, flats, double flats, and naturals, when introduced apart from the key signature bass clef– the lower set of parallel lines in the grand staff beam – a line connecting two or more notes of value less than a quarter note beat – the rhythmic pulse in music chord – t ...
... accidentals – sharps, double sharps, flats, double flats, and naturals, when introduced apart from the key signature bass clef– the lower set of parallel lines in the grand staff beam – a line connecting two or more notes of value less than a quarter note beat – the rhythmic pulse in music chord – t ...
Tone and Voice: A Derivation of the Rules of Voice
... pitch in one of the voices (i.e., approach by oblique motion). [D19.] Avoid Disjunct Approach to Fused Intervals Rule. If it is not possible to approach unisons, octaves and fifths by retaining the same pitch (oblique motion), step motion should be used. [D20.] Avoid Semblant Approach between Fused ...
... pitch in one of the voices (i.e., approach by oblique motion). [D19.] Avoid Disjunct Approach to Fused Intervals Rule. If it is not possible to approach unisons, octaves and fifths by retaining the same pitch (oblique motion), step motion should be used. [D20.] Avoid Semblant Approach between Fused ...
Unit 1 – Fundamentals of Music
... and different lines being played at the same time, such as in POLYPHONIC MUSIC… One clef fore all female voices bean to be used (Above Middle C) was used: The Treble Clef The Bass Clef was used for Male Voices When we use the Treble Clef and Bass Clef together it is called The Grand Staff. Note: ...
... and different lines being played at the same time, such as in POLYPHONIC MUSIC… One clef fore all female voices bean to be used (Above Middle C) was used: The Treble Clef The Bass Clef was used for Male Voices When we use the Treble Clef and Bass Clef together it is called The Grand Staff. Note: ...
VAN TECH MUSIC THEORY Package – IA
... There are two main ways to identify where a pitch fits into the scale of a given key (solfege and numbers). For our purposes we will only learn the modern system using scale degree numbers. In the example below, you’ll see a C Major scale with the scale degree numbers identified below. To ensure tha ...
... There are two main ways to identify where a pitch fits into the scale of a given key (solfege and numbers). For our purposes we will only learn the modern system using scale degree numbers. In the example below, you’ll see a C Major scale with the scale degree numbers identified below. To ensure tha ...
A PRACTICAL GLOSSARY for Twentieth
... polychord — a harmonic structure consisting of two or more different chords (usually triads). The polychord should be spaced or orchestrated so that the identity of each chord is retained. prime row — the original form of a twelve-tone row or any of its transpositions. prime form — an abstract repre ...
... polychord — a harmonic structure consisting of two or more different chords (usually triads). The polychord should be spaced or orchestrated so that the identity of each chord is retained. prime row — the original form of a twelve-tone row or any of its transpositions. prime form — an abstract repre ...
Set Theory - ClarkRoss.ca
... ☞ IN CASE OF A TIE: If there are two or more possible candidates for a set’s normal order (two or more equallycompact set rotations with an identical interval between the first and last notes), compare the interval between the first and second-last note in each set; the set with the smaller of these ...
... ☞ IN CASE OF A TIE: If there are two or more possible candidates for a set’s normal order (two or more equallycompact set rotations with an identical interval between the first and last notes), compare the interval between the first and second-last note in each set; the set with the smaller of these ...
Category 5 4 3 2 1 Tone Quality Tone is consistently focused, clear
... sometimes cause tone to be less controlled. Tone quality does not detract from the performance. ...
... sometimes cause tone to be less controlled. Tone quality does not detract from the performance. ...
Pitch - AceHSC
... Lines and layers - Similar motion – melodic contour of two melodies imitate either ascending or descending together - Contrary motion – melodies move in opposite directions. One descends the other ascends Types of texture - Monophonic texture – single layer - Homophonic texture – melody with chordal ...
... Lines and layers - Similar motion – melodic contour of two melodies imitate either ascending or descending together - Contrary motion – melodies move in opposite directions. One descends the other ascends Types of texture - Monophonic texture – single layer - Homophonic texture – melody with chordal ...
Slides - UMD Physics
... frequencies to all twelve notes from C to B It is impossible to find a temperament where all the octaves and fifths are perfect Pythagorean: all octaves and all but one fifth are perfect. One fifth is very off (pythagorean comma). ...
... frequencies to all twelve notes from C to B It is impossible to find a temperament where all the octaves and fifths are perfect Pythagorean: all octaves and all but one fifth are perfect. One fifth is very off (pythagorean comma). ...
Pitch Collections, Scales, and Major Keys
... Major pentachord: first 5 notes of the major scale (W W H W) ...
... Major pentachord: first 5 notes of the major scale (W W H W) ...
Solfege - Practice - 101
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
Voc Music Baseline
... 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Diminished interval C. chord 5. A music ...
... 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Diminished interval C. chord 5. A music ...
Psychology of Music Learning
... – Assuming that formal structure and perceptual properties function in same way – Subjective variability of psychological processes – Tendency to confuse cultural norms with perceptual norms ...
... – Assuming that formal structure and perceptual properties function in same way – Subjective variability of psychological processes – Tendency to confuse cultural norms with perceptual norms ...
Middleton
... Make several copies first. Work with a partner and record each other’s “pitch profile.” Look for tendencies. If you are confident that your embouchure is working well and placement of flute on bottom lip is appropriate, then when you see a consistent pattern after several days, make an adjustment to ...
... Make several copies first. Work with a partner and record each other’s “pitch profile.” Look for tendencies. If you are confident that your embouchure is working well and placement of flute on bottom lip is appropriate, then when you see a consistent pattern after several days, make an adjustment to ...
meter
... To divide a group of notes into an abnormal grouping, you use a number over the grouping indicating the number of notes in that group. ...
... To divide a group of notes into an abnormal grouping, you use a number over the grouping indicating the number of notes in that group. ...